Actually the beginnings to which I’m referring are not that new, since I’ve now been part of the team at The Canales Project for about three months, but there is much, much more journeying to do in this unfamiliar world. Last year, despite not having a clue what to do with myself, I decided to suspend my academic aspirations temporarily in favor of something a little more novel and real-world; I had every intention of going back for a DMA/PhD in 2017, but… I am enjoying the arts administration life too much—not to mention I’ve written more music in the last few months since graduating than in my entire second year at Juilliard, so I think I’m in a good place.
Earlier this month at the LaGuardia Performing Arts Center we wrapped up the first in a series of shows called “Between Two Worlds,” the idea of which is to feature a motley group of artists who, in one way or another, work between different levels of cultural or professional identity. I’m not heavily involved in the next one on December 4 at New York Live Arts, since in the days leading up to it I’ll be in Houston for a performance (more details another time!), but it will feature my good friend and collaborator Drew Forde.
My work with TCP has pushed me to think more about cultural advocacy, the social impact of the arts, and what it means for us creative workers to engage the wider world around us. Do I really know about these things? No. But I think these are questions that are better acted upon than asked verbally, and now is a great time to be acting upon them indeed.